In Bourdieu’s telling, a major character is “legitimate” culture. This is stuff like Bach or opera or avant-garde theater or Nabokov or Shelly or golf or skiing or playing the violin or fancy food on tiny plates—basically what a cliche rich snob would like in a cartoon.
无论是城市短驳的轻型货车，还是跨省运输的重型卡车，每台新车的购置都凝聚着驾驶员的积蓄、对运输事业的向往以及对持续收益的渴望。
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新剧主线会引起许多千禧代共鸣。意识到父母行为压力对心理的影响后，马尔科姆在地理和情感上都与家人保持距离。他逃避争吵，无法面对家人——尤其是母亲（若记得洛伊丝剧终演讲就能理解）。
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